Colleen Chesebro, author, poet, and prose metrist, from East Lansing, Michigan, presented a class on syllabic poetry during our February meeting. The syllabic verse is determined by the number of syllables per line, rather than the number of stresses. She highlighted Crapsey cinquain poetry, the style designed by Adelaide Crapsey, a 20th-century poet born in Brooklyn and raised in Rochester.
Cinquains are five-line poems that are usually about nature or a natural phenomenon. American cinquains have a 2-4-6-8-2 syllable count and do not need to rhyme. Words that create drama are built into the fourth line. The turn occurs on line five, which is the most important line. This is where you change your focus away from the drama in some interesting way. She had us write our own poems and gave examples of different types of cinquains. Poetry can be helpful with a visual impression of scenes or characters and can assist with dramatic chapter endings.
When writing and composing syllabic poetry, it’s best to use a syllable counter to check your accuracy, e.g., https://www.traveldailylife.com/syllables/ and the ProWritingAide extension (it’s free).
Cinquain Samples Written During Presentation
Poppet by Kathy Plum
Pretty
Poppet, plucky
Poppet, so sweet and so
Innocent is my playful pup
Chewer!
I Visit by Mary Lou Heilman
Grief stone
Holds down my joy
Imprisons my thinking
Endures forever that stone
Inert
In the School Hallway by Kim Gore
Chatter
Bitter review
Envy wrapped in comment
Opened in a heat-filled moment
Tatter
Sunset by S. Arthur Yates
Sunset
Steals light from life
Returns it, but not all
Some is lost, never to be seen
Old age
1978 Baseball Fans by Sue Spitulnik
Red Sox
Hate Bucky Dent
Cost them the World Series
Next Year